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Новости о деятельности ТАКЕ ТНАТ впятером
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| Pooh | Дата: Четверг, 31.05.2012, 16:02 | Сообщение # 476 |
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| Since their debut single in 1991, Take That have cemented their place in the UK's musical history. Their hits include 'Greatest Day', 'Back For Good', and 'Patience'. Last year, Take That performed a record breaking stint of eight shows at Wembley Stadium, which just goes to show the hit makers are more popular than ever. They're not slowing down, either: Gary Barlow recently announced that a new album is on the way in 2013.
http://www.heart.co.uk/events....ke-that
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| Pooh | Дата: Понедельник, 04.06.2012, 19:38 | Сообщение # 477 |
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| Самые продаваемые артисты по синглам в британском чарте
The Top 60:
1. Beatles
2. Elvis Presley
3. Cliff Richard
4. Madonna
5. Michael Jackson
6. Elton John
7. Queen
8. Abba
9. David Bowie
10. Rihanna
11. Paul McCartney
12. Kylie Minogue
13. Rolling Stones
14. Rod Stewart
15. Take That
16. Stevie Wonder
17. Oasis
18. Eminem
19. Whitney Houston
20. Spice Girls
21. George Michael
22. Robbie Williams
23. Bee Gees
24. U2
25. Shakin' Stevens
26. Britney Spears
27. Status Quo
28. Lady Gaga
29. Boyzone
30. Blondie
31. Slade
32. Black Eyed Peas
33. Boney M
34. Westlife
35. Celine Dion
36. Beyonce
37. UB40
38. Olivia Newton John
39. Mariah Carey
40. Tom Jones
41. Madness
42. Police
43. Wham!
44. Phil Collins
45. Diana Ross
46. Jam
47. Bryan Adams
48. Pet Shop Boys
49. David Guetta
50. Adam Ant
51. Duran Duran
52. Frank Sinatra
53. Frankie Goes To Hollywood
54. Prince
55. Katy Perry
56. Wet Wet Wet
57. Everly Brothers
58. Shadows
59. Pink
60. Coldplay
http://www.independent.co.uk/arts-en....91.html
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| Pooh | Дата: Пятница, 08.06.2012, 15:07 | Сообщение # 478 |
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| Pre-order Gary Barlow's On Her Majesty's Service now http://bit.ly/KiYm1o. RT to win a Take That canvas SIGNED by ALL 5 boys! #TTcanvasprint
https://twitter.com/universal_music/status/211049949113233408
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| Pooh | Дата: Четверг, 14.06.2012, 12:40 | Сообщение # 479 |
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| Крис всё таки большой полконник ТТ 
The 35-year-old explained: ‘It’s probably good for us to mix it up a bit. You can’t keep trying to get bigger and bigger, you can’t try and compete with Take That.
'They have those five handsome men and you don’t need wristbands when you have that much talent in the looks department.’
http://www.metro.co.uk/music....ltiline
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| Pooh | Дата: Среда, 20.06.2012, 13:34 | Сообщение # 480 |
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| Опа - ребята ( Гари, Хов, Марк) попались на неулате налогов 
Take That stars 'invest £26m in scheme designed to avoid paying tax'
Take That members Gary Barlow, Howard Donald and Mark Owen invested £26 million in a scheme allegedly designed to avoid tax, it has been reported.
The 'Rule The World' musicians along with manager Jonathan Wild are among 1,000 people who contributed £480 million to 62 music industry partnerships that Her Majesty's Revenue & Customs claim act as tax shelters for wealthy individuals, according to The Times.
Howard Donald, Gary Barlow, and Mark Owen from Take That with the PRS For Music Outstanding Contribution to British Music award at the 2012 Ivor Novello awards held at the Grosvenor House Hotel, London
Lawyers for the bandmates involved insisted that they thought the investments were legitimate enterprises and not tax avoidance schemes, and said that they all pay "significant tax". There is also no suggestion of any illegality.
HMRC is attempting to shut down the partnerships, overseen by a firm called Icebreaker Management Services, for what it claims is a tax loophole.
"We do not accept that the Icebreaker tax schemes have the tax effects their promoters claim," a HMRC spokesman said.
Robbie Williams and Jason Orange are not involved in the investments.
The news follows yesterday's Times report alleging that Jimmy Carr puts £3.3 million a year into an offshore shelter as part of a tax avoidance scheme used by 1,100 rich individuals..
http://www.digitalspy.co.uk/showbiz....ax.html
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| Pooh | Дата: Среда, 20.06.2012, 13:36 | Сообщение # 481 |
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| И ещё про это
http://www.thetimes.co.uk/tto/news/
http://www.dailymail.co.uk/news....rs.html
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| снежинка | Дата: Среда, 20.06.2012, 14:44 | Сообщение # 482 |
 Rule the world
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| Quote (Pooh) Опа - ребята ( Гари, Хов, Марк) попались на неулате налогов
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| Pooh | Дата: Четверг, 21.06.2012, 00:04 | Сообщение # 483 |
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| Продолжение истории с налогами
http://www.telegraph.co.uk/news....ow.html
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| Pooh | Дата: Пятница, 29.06.2012, 11:34 | Сообщение # 484 |
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| Christopher Barrett charts the biggest comeback in pop history.
Since The Beatles disbanded, few British bands have come close to achieving comparable chart success and adoration except, perhaps, Take That.
From getting their break on The Hit Man and Her TV show in 1990 to playing eight nights at Wembley Stadium two decades later, it’s been a long, remarkable, and occasionally rocky road for the five members of Take That.
The pop quintet have sold many millions of records and set a fair few; for a start they have sold concert tickets in greater numbers at a greater speed than any band in UK history. Their Progress Live 2011 tour saw 1.34 million tickets snapped up within 24 hours of going on sale. They have been no less successful on record with seven of their albums and 11 singles having reached number one in the UK.
It is hardly surprising that Take That’s trophy cabinet is fit to burst with 20 BRIT and eight MTV gongs among their vast haul. But last month Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams were given arguably the most coveted award of them all – an Ivor Novello Award (the PRS for Music Outstanding Contribution to British Music).
There’s nothing like winning an Ivor as a songwriter
Sponsored by PRS for Music and judged and presented by fellow songwriters, the award is widely regarded as the highest industry accolade songwriters can garner. Indeed, on picking up the award, Gary Barlow told the audience at the London ceremony, ‘There’s nothing like winning an Ivor as a songwriter.’
With five trophies already under his belt, Barlow is no stranger to Ivors acclaim. The Take That frontman and lead songwriter was very much at the band’s creative helm until they split in 1996. During that first Take That incarnation, Barlow wrote almost all of their hits including Back For Good, which reached number one in 31 countries.
In 2006 Take That re-formed, signed to Polydor and re-entered the studio. Since then it has been all hands on deck creatively. But it wasn’t until July 2010 that Robbie Williams’ influence was again felt.
After disagreements with fellow band members led Williams to leave Take That in 1995, he went solo. Despite it hardly being to the fore as a member of Take That, his songwriting ability was one of the key reasons managers David Enthoven and Tim Clark of i:e music swiftly snapping him up.
‘He has always been a very confident lyricist and that is the reason we really understood that he was the artist for us in 1996. He has always had a stream of melody in his head and that is why he works best with a collaborator who can interpret his ideas,’ says Enthoven.
Williams became the first solo artist to reach number one in the UK with his first five albums. He has now sold more than 15 million albums in the UK alone. Having gone solo Williams enjoyed hit after hit, including the 1997 million seller Angels, which he co-wrote with Guy Chambers.
Chambers became a regular collaborator but Williams also teamed up with the likes of Stephen Duffy, Ashley Hamilton and Steve Power on tracks including No Regrets, Feel, Come Undone and Advertising Space; all of which illustrate his songwriting prowess and versatility.
Gary Barlow, Howard Donald, Mark Owen at the Ivors
Gary Barlow, Howard Donald, Mark Owen at the Ivors
The return of Williams in 2010 to Take That found all five members contributing creatively for the first time, and as a result Progress proved to be one of Take That’s finest moments. But, according to its producer Stuart Price, getting them all in the studio at the same time was a major challenge.
‘They are a bit like one of those fairground games where different heads pop up at different times,’ says Price. ‘Sometimes we’d work separately, sometimes together. Lyrics evolved constantly, that seems a given for most bands I’ve worked with, but that’s good because as music changes, so does the tone of the song, and the necessity for change,’ he says.
Price recalls that although all the members of Take That contributed to Progress, Barlow’s studio proved to be the creative hub where almost all the songs were demoed. Despite Barlow and Williams having demonstrably different songwriting styles, Price says that when the two worked together the results were nothing short of remarkable.
‘It’s like chalk and cheese but they both respect each other’s contribution like no other. What’s important is that neither could do the other’s part. In that sense they all need each other, that’s a vital band dynamic,’ says price.
It felt so right, like the five of them had been recording forever. It’s just confident and effortless
Released in November 2010, Progress has since gone eight times platinum and sold more than 2.3 million copies in the UK. The first single, The Flood, peaked at number two in the singles chart and has sold over half a million copies. It was nominated at the 2012 Ivor Novello Awards in the PRS for Music Most Performed Work category but narrowly missed out to Adele’s Rolling in the Deep.
If Universal Music UK chairman and chief executive David Joseph ever had any doubts as to how songs crafted by all five members of Take That would turn out, his first play of The Flood swept them away. ‘It felt so right, like the five of them had been recording forever. It’s just confident and effortless,’ he says.
Recalling listening to early demos of Progress, Joseph says what most impressed him was that the band were obviously prepared to take creative risks, with tracks including Kidz and Happy Now being stand out moments. ‘It really embraced a new chapter for them as a five piece,’ says Joseph.
There are many chapters to the Take That story, but it began back in 1989 when a 19-year-old Gary Barlow first met Nigel Martin-Smith, a manager looking for someone to front a new boy band. Impressed by Barlow’s burgeoning catalogue of self penned songs, Martin-Smith invited him to lead the new act.
Auditions for other band members took place in 1990, followed by Take That’s first TV appearance on Granada’s The Hitman And Her. Written by Barlow and Ray Hedges, Take That’s first single Do What U Like failed to climb above 82 on the singles chart. It wasn’t until the release of Take That’s version of the Tavares 1975 hit It Only Takes A Minute, that the band’s career started to take off. The track peaked at number seven during an eight week stint in the singles chart.
In September 1992, Take That’s first album Take That and Party hit the shelves and rose to number two. A year later, the follow up, Everything Changes did one better on the charts and while Barlow was responsible for writing the majority of the material it marked the first time another member of the band was credited with an album track. Howard Donald had written If This Is Love alongside Dave James.
Packed with perfect pop moments, Everything Changes spawned four number one singles; the title track, Pray, Relight My Fire and Babe. It was nominated for a Mercury Music Prize.
On May 13 1995 Take That’s third album, Nobody Else, was released. It topped the charts, as did singles Back For Good, Never Forget and Sure.
Once again, Barlow dominated songwriting duties but Howard Donald did get a look in alongside Barlow and Mark Owen on Sunday To Saturday. Sure was something of a stylistic departure for the band, demonstrating an R&B influence, and included contributions from Owen and Robbie Williams. Nobody Else would prove to be Williams’ last studio album with the band until 2010’s Progress.
In 1996 Take That disbanded and fans had to wait a full decade before a tour proposal from promoter Simon Moran helped encourage the band, minus Williams, to reunite and take to the road.
Together again, Take That signed to Polydor and started work on new studio album Beautiful World. It was the first Take That album on which every member of the band sang lead vocal at least once and all were involved in the songwriting process on each and every track.
Songwriter and producer John Shanks was called in and the result was a collection of dazzlingly effective pop songs that embraced new influences on the likes of the folky Wooden Boat and psychedelia-tinged What You Believe In. A mix of classic guitar pop and disco glamour, the single Shine proved to be a stand out moment and topped the charts.
Both Shine and Greatest Day, the latter being the lead single from Take That’s fifth studio album, The Circus, are regarded by Universal’s David Joseph as great examples of Mark Owen’s songwriting. Greatest Day became the band’s eleventh number one single and stayed on the chart for 20 weeks. ‘Mark’s contribution has been immense,’ says Joseph.
Mixing bold, sweeping anthems such as the string laden opener The Garden and the epic Hold Up a Light with more intimate moments including Said It All, The Circus once again saw John Shanks at the production desk. As well as commercial and critical acclaim the album was accompanied by a record breaking tour co-promoted by SJM and Kennedy Street.
Take That were back in action and at the top of their game, the only thing missing was Williams. But in June 2010 news of a Williams and Barlow collaboration emerged and the resulting single, Shame, appeared on Williams’ In and Out of Consciousness: Greatest Hits 1990–2010 album. With Trevor Horn producing, the harmonious Shame recording session led Williams to return to the Take That fold and work on their next album, Progress.
Take That Progress bow
Take That take a bow on the Progress tour
Devoid of ballads, a Barlow speciality, Progress found the band embracing an array of influences and a more personal songwriting style to create a multi-layered club pop album not short on experimentation or big beats.
As swiftly as Progress made its way to number one, Take That’s concert tickets were selling out. Danny Betesh, who has promoted the band’s shows since 1993 believes their enormous live success and longevity is due to their ‘terrific songwriting and creative talent’.
SJM’s Simon Moran who has co-promoted all of Take That’s UK tours since they reformed, says the level of the band’s live success is unprecedented. ‘They are completely unique and have far surpassed the achievements of any rock or pop star. The standard of the music over the last three albums is amazing, for them to come back is a testament to their songwriting talent,’ he says.
‘They’ve been at the very top, the very bottom and then the very top again,’ notes Stuart Price. ‘What’s inspiring about that is that the second time around they’ve won based on great music, and that the whole process brought incredible humility to them. You couldn’t be with five more genuine, welcoming, humble boys, with huge success on their shoulders.’
http://www.m-magazine.co.uk/features/everything-changes-take-that/
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| Pooh | Дата: Вторник, 10.07.2012, 16:10 | Сообщение # 485 |
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| Ребята поучавствовали в благотворительном аукционе на котором был продано вот эта музыкальная система с автографами всех ребят
http://www.chipchick.com/2012/07/take-that-iphone-dock.html
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| Pooh | Дата: Среда, 18.07.2012, 14:53 | Сообщение # 486 |
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| У кого есть возможность можете посмотреть
Take That: Official Top 20 is on at 3pm on VH1(sky channel 356).
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| Pooh | Дата: Четверг, 18.10.2012, 15:57 | Сообщение # 487 |
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| Ребята поучаствовали в очередной благотворительной акции -подписали синтезатор который продадут на аукционе! Синтезатор между прочим Майка Стивенса!
Previously owned by Take That musical director Mike Stevens, a Nord Stage keyboard used on two world tours and signed by all members of Take That has been donated by Nord UK distributor Sound Technology Ltd to the Willow Foundation charity for auction at its upcoming fundraising ball.
The Willow Foundation is a national charity, established in 1999 by Arsenal legend Bob Wilson and his wife Megs in memory of their daughter, that provides special days for seriously ill 16 to 40 year olds. Every special day aims to provide beneficiaries and their loved ones with a break from the realities of their diagnosis and treatment. At a time of uncertainty, spending quality time with family and friends can help restore a sense of normality, boost confidence and create precious memories for the future.
This Saturday, 20th October, at the Willow Wonder Ball at London's Westminster Park Plaza a number of items will go under the hammer to raise money to fund the special days. Included is the Nord Stage.
http://www.soundtech.co.uk/nord/take-that-keyboard-willow-foundation
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| Pooh | Дата: Воскресенье, 25.11.2012, 17:51 | Сообщение # 488 |
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| ROBBIE Williams has confirmed he will rejoin Take That next year when he is “too old” to be a solo pop star.
The singer, 38, wants to record another album with his former bandmates because he fears fans will write him off as a nostalgia solo act.
Confirming plans to rejoin Gary Barlow, Jason Orange, Mark Owen and Howard Donald, Robbie said: “We promised each other we would soon meet up for dinner and look through our agendas.
“It would be beautiful if I could do a bit of both. This doesn’t seem impossible if we can plan it well.”
Talking about his reunion with the boys last year, he said: “We had this critically- acclaimed album, this commercially successful album and we did the biggest tour the UK has ever seen.
“I also got to have a real laugh with four of my old friends and we got to bury the nonsense from the past.
“Spiritually it was amazing and on every other level it was amazing.”
He added: “It gave me the energy and the confidence and sort of a clean slate to want to come and do it again.”
To prove the point, Gary joined him for his solo gig at the O2 on Friday.
Robbie said afterwards: “That was one of my best moments on stage, ever!”
He has just scored his first No.1 single in eight years with Candy and new album Take The Crown became his eighth to top the charts earlier this month.
But he fears he will soon be too old to be cool. Radio 1 has already banned him from its playlist because he is not seen as relevant to its 15-29 target audience.
He said: “I don’t want to be a nostalgic act but the reality is that I’m 38 now. Do you know any 40-plus pop stars? I don’t. George Michael? You can hardly call him a pop star. He doesn’t score that many hits.
“My life might not change that drastically in two years’ time but I know if I want to be the biggest, the best, the fastest and the cheekiest, I’d better do it now.
“I mean business for the next 18 months at least.”
He added: “You have to stop calling yourself a pop star when you’re 40, so this is my last album as a pop star.
“The next album I do I’ll be an old man.”
Robbie dubbed the music industry boring and criticised talent shows like X Factor, saying they struggled to produce real stars.
“People are so quick to be offended nowadays and, sadly, artists have adapted themselves to this,” he said. “They try to be as inoffensive as possible and they’re all mediocre because of it. There are no sharp edges left.
“Look at all these talent shows, they never brought us a true star with staying power.
“That’s because they skip half the route to fame. They go from A to C, skipping B. But everyone forgets you need that B to find yourself.
“It’s you who has to learn this, no one can teach you about stage presence.”
http://www.dailystar.co.uk/news/view/284359?123
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| Pooh | Дата: Пятница, 30.11.2012, 11:49 | Сообщение # 489 |
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| 25 самых высокооплачиваемых звёзд в 2012 году по версии Форбс
Forbes's top 25 highest-paid music stars of 2012 are as follows:
1. Dr Dre - $110 Million
2. Roger Waters - $88 Million
3. Elton John - $80 Million
4. U2 - $78 Million
5. Take That - $69 Million
6. Bon Jovi - $60 Million
7. Britney Spears - $58 Million
8. Paul McCartney - $57 Million (tie)
8. Taylor Swift - $57 Million (tie)
10. Justin Bieber - $55 Million (tie)
10. Toby Keith - $55 Million (tie)
12. Rihanna - $53 Million
13. Lady GaGa - $52 Million
14. Foo Fighters - $47 Million
15. Diddy - $45 Million (tie)
15. Katy Perry - $45 Million (tie)
17. Kenny Chesney - $44 Million
18. Beyoncé - $40 Million
19. Red Hot Chili Peppers - $39 Million
20. Jay-Z - $38 Million
21. Coldplay - $37 Million
22. Adele - $35 Million (tie)
22. Kanye West - $35 Million (tie)
24. Michael Bublé - $34 Million
25. Sade - $33 Million
http://www.digitalspy.co.uk/music....gqMjS1C
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| Swanheart | Дата: Пятница, 30.11.2012, 13:12 | Сообщение # 490 |
 Rule the world
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| Quote (Pooh) Forbes's top 25 highest-paid music stars of 2012 are as follows:
в каком окружении)))
p.s. ну хоть тут Бибера обскачил кто-то 
Heart of glass, Blondie sings in her ear, You're a rock queen, honey and we all hear you (с)
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| Pooh | Дата: Пятница, 30.11.2012, 13:13 | Сообщение # 491 |
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| Quote (Swanheart) ну хоть тут Бибера обскачил кто-то
Целых 9 исполнителей/групп
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| Pooh | Дата: Суббота, 01.12.2012, 13:43 | Сообщение # 492 |
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| Гари веселиться во всю- тут он приводит пример кто бы из звёзд мог бы сыграть ребят)
Гари Барлоу - Джеймс Корден
Ховард Дональд - Уильям Дефо
Джейсон Оранж - Брэд Питт
Марк Оуэн - Ант или Дек
Робби Уильямс - Мэтт Деймон
IN between his UK tour, judging the X Factor and writing new tracks for TAKE THAT, GARY BARLOW must have just enough time to boil an egg each week.
But the singer is still up for adding another project to the list — making a film about the manband’s 20-year history.
Speaking before the London leg of his UK tour this week, Gary said: “No one’s ever approached us about it, never.
“We’ve been offered musicals and talked about them for years now but never a film.
“It is one of those stories ours, where if you wrote it down and gave it to someone they’d go, ‘Well it’s a good story but it wouldn’t come true.’
“It feels like 20 years of madness, but it is a good story.”
If a film about PAUL POTTS has been given the green light by movie mogul HARVEY WEINSTEIN, imagine the damage a film about Britain’s biggest boyband could do at the box office.
And Gazza’s already put in some serious thought on which actor should play each of the band members too. He said: “I’d definitely have JAMES CORDEN to play me — he’s such a great bloke, I love him.
“HOWARD DONALD always thinks he looks like WILLEM DAFOE, so that would be a good one.
“JASON ORANGE is a bit BRAD PITT. Who’d be Mark? It’d be ANT or DEC, or you could even do both.
“And probably someone like MATT DAMON should take on the role of ROBBIE WILLIAMS.”
Unsurprisingly for a man who spearheaded the Diamond Jubilee celebrations, Gary would be keen to keep a British feel to the project by hiring a director from home turf.
He said: “Someone British should definitely make it.
“I’m not that hot on films but I could see someone quite northern and funny coming up with it.
“The Scouser WILLY RUSSELL, he’s done plays but he’s also done films.
“He’s the sort of guy that would be great — I think we should get him to do it.”
http://thesun.mobi/sol....l?mob=1
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Swanheart | Дата: Суббота, 01.12.2012, 18:02 | Сообщение # 493 |
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Rule the world
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| Quote (Pooh) Гари Барлоу - Джеймс Корден
Ховард Дональд - Уильям Дефо
Джейсон Оранж - Брэд Питт
Марк Оуэн - Ант или Дек
Робби Уильямс - Мэтт Деймон
ахахах, черт, я бы на это посмотрела
но я в корень не согласна с кандидатурой Брэда 
Heart of glass, Blondie sings in her ear, You're a rock queen, honey and we all hear you (с)
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| Pooh | Дата: Суббота, 01.12.2012, 18:03 | Сообщение # 494 |
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Candy)
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| Swanheart, понимаю
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Rina | Дата: Суббота, 01.12.2012, 18:17 | Сообщение # 495 |
 Cold hands warm heart
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| Quote (Pooh) Гари веселиться во всю
Красота
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| Pooh | Дата: Понедельник, 15.07.2013, 14:13 | Сообщение # 496 |
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Candy)
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| А ещё в этот день три года назад ребята объявили что выпустят новый альбом впятером))
И сбылась казавшаяся несбыточной мечта таких идиоток-тортилл как я) Которые мечтали увидеть-услышать их впятером снова вмесет и на одной сцене) И услышали - и увидели - и сбыли мечту всей своей жизни)
Спасибо Ребятам)
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Ари | Дата: Среда, 24.07.2013, 21:50 | Сообщение # 497 |
 It's more than spiritual, physical...
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| И теперь мечт хочется еще больше  Ненасытные мы
1 and 5 July 2009 - Take That The Circus Live, Wembley Stadium, London
4 and 5 July 2011 - Take That Progress Live, Wembley Stadium, London
5 and 6 June 2015 - Take That III Live, O2 Arena, London
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| Pooh | Дата: Вторник, 29.10.2013, 22:54 | Сообщение # 498 |
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Candy)
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| Мама Джейсона отдала диск ребят "Progress" с подписями всех участников группы на благотворительный аукцион который пройдет на eBay. Все собранные средства пойдут в Wythenshawe Community Initiative (WCI).
http://mancunianmatters.co.uk/content....ty-cent
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Pooh | Дата: Вторник, 07.01.2014, 16:36 | Сообщение # 499 |
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Candy)
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| Ну пока всё на том же уровне!
Неизвестно точно присоединится ли Робби!
Известно что в этом месяце в Америке ТТ начнут запись Нового Альбома!
Ждём)
http://www.unrealitytv.co.uk/reality....austion
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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