| Pooh | Дата: Пятница, 31.05.2013, 21:21 | Сообщение # 1 |
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09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Pooh | Дата: Четверг, 13.06.2013, 21:54 | Сообщение # 3 |
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09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Pooh | Дата: Воскресенье, 16.06.2013, 21:49 | Сообщение # 4 |
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| Pooh | Дата: Вторник, 18.06.2013, 11:05 | Сообщение # 5 |
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| Pooh | Дата: Среда, 19.06.2013, 17:26 | Сообщение # 6 |
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| Pooh | Дата: Четверг, 20.06.2013, 17:10 | Сообщение # 7 |
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| http://notionmag.com/shop/magazines/ Номер с Марком 64
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| Pooh | Дата: Пятница, 21.06.2013, 19:56 | Сообщение # 8 |
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| http://www.planetnotion.com/2013/06/21/notion-064-feature-mark-owen/
While he’s got a slight handle on some of the reasons behind the album’s artwork, a fairly innocuous question about the album’s title throws him into an amusing stupor – each attempt at an answer punctuated by silences and thoughtful pauses. “There are many many reasons why,” he begins. “It depends on how depressing I want to go with it all.” I tell him I’d read it was because people would ask him what he was up to and he’d just say ‘oh nothing’. “It’s easier to say ‘nothing’ or ‘not a lot’. If I go into certain worlds, it is nothing really – I’m just writing songs. I’m not saving the world, I’m not healing the sick. But then I go another way and think, well life’s nothing really. We start as nothing and then we end up back at nothing. There’s all different layers you can look at it on. The nothing is almost a circle I think. There’s something in that as well. The circle.” He takes a pause that seems to go on for an eternity. “Just in a psychological way, if I wake up in the morning and think ‘shit, I’ve got to do this and do that’ I can get into a bit of a state but then I think ‘just enjoy it, it’s nothing’. It will get done. Just calm down. Breathe. Actually, the circle, if you want to go…It’s the womb,” he mumbles, before quickly adding with a start, “breathing! It’s a breath. The art of breathing. So there’s that as well.”
Just half an hour in his presence reveals a lot about Mark Owen. He’s almost comically contorted by worry, second guessing everything he says and constantly conflicted about almost every aspect of the album-making process, from the recording (it was recorded in his garden studio, which started out relaxed but not “at 6pm when your mates leave and you haven’t written a good song it’s kind of depressing”), to the marketing of the album (“I keep saying to the label ‘this is the art of doing nothing and the only person doing nothing round here is you lot, I’m doing fucking everything!’” he jokes) to the amount of copies it might shift. “It’s nice to be part of something that’s successful – much nicer than being part of something that isn’t,” he jokes. “I do ask myself this question really and sometimes I think it doesn’t matter, it’s the art of doing nothing and we’ll all be free and it’s all lovely and then sometimes I think, it would be really embarrassing if does really badly.” It’s no reflection on quality though is it, I say helpfully; some amazing albums only sell about five copies. “Most of my albums have sold five copies! So actually, I’m probably more used to it not doing more than five copies so if it actually sells six I’ll have a heart attack.”
Unfortunately for Owen’s ticker The Art Of Doing Nothing should shift a few more copies than six given that a handful of the songs could have slid easily onto any of the recent Take That albums, specifically the epic, electro-tinged stomper The One and current single Stars, which despite the title and the video featuring Owen walking around Berlin in a space suit, doesn’t continue his alien obsession which came to the fore on Progress. “It was a little bit more ‘stop thinking about the aliens and think about your own life’,” he laughs. “Progress was end of the world stuff and I think we all believed the world would end and then it didn’t so we were like what do we do now…I’m joking. There is a definite theme in that record and I didn’t want a themed album for this one.” Instead it’s an album that, paradoxically given the fretful nature of its creator, feels completely relaxed and comfortable in its own skin. There are moments of downcast introspection and paranoia (the beautiful S.A.D.), but even the closing End Of Everything incases that navel-gazing and lapses into cod-psychology in a hook-laden swirl of galloping drums, undulating keyboards and Owen’s versatile voice, which has matured from its shrill beginnings.
As good as it is, however, did he ever think of giving Gary a call and asking for a song? “There’s a bit in my head that goes ‘I don’t want to bother them’,” he says with such a forlorn look that I let out an involuntary ‘ahhh’. “Then there’s a bit that goes ‘I don’t want to put them in a position where they have to say yeah, because they might say no and then we’ll have to break up again for ten years’. So that would be a bit uncomfortable.” Maybe just maybe, he didn’t need them this time. He’d never say it himself, but I think that’s it.
09-11-2003 RW in Moscow 22-07-2011 RW & TT in Hamburg 25-07-2011 RW & TT in Dusseldorf 11-08-2013 RW in Stuttgart 20-08-2013 RW in Tallinn 15-05-14 RW in Stokholm 18-05-14 RW in Helsinki
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| Pooh | Дата: Воскресенье, 30.06.2013, 23:56 | Сообщение # 9 |
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