Сейчас у JLS....6 изданий.

Спать в общем не дадут спокойно)

7.11 - The Flood
15.11 - Progress

ок, от JLS ушли, но Сьюзан Бойл! хотя 8.11 )

так

TAKE THAT have lobbed a massive spanner into the Irish lads' plans for chart domination with their new album Gravity.

GARY BARLOW, MARK OWEN, JASON ORANGE, HOWARD DONALD and their old pal ROBBIE WILLIAMS have moved the release date of their new album Progress forward to the same day, November 15.

All the four-leaf clovers in the world won't help in Westlife HQ when word filters through to the lads.

Da Loif's loss is a huge gain for JLS. Their second album, Out Of This World, was originally due to go head-to-head with Take That.

They will now have the chance to knock the elder statesmen of pop, or Westlife, off the top spot after only a week. I can't see it happening, but it is going to make for a great chart battle.

Last night a Take That spokesman said the release date change was because of the huge response to their press conference at London's Savoy hotel on Tuesday announcing their tour dates.

I reckon the real reason is to give them an extra week to fill their boots with monster sales in the Christmas market.

But there is one threat Take That, Westlife and JLS haven't taken into consideration - beardy folk grandads FOSTER & ALLEN.

They are bringing out their 18th album, Magic Moments, on the same day too. The Saga Holiday pensioners could just decide this one.

Walking sticks at dawn . . .

I got a chance to hear Take That's new album at The Savoy gigs launch.

The band played me all ten tracks (plus a secret song) - and it could break the million barrier by the time we're all tucking into our turkey. Robbie takes a huge role and producer STUART PRICE has stamped his influence all over it.

Here's a brief review of each song:

1. THE FLOOD: First single. You'll have heard it already. Big pop hit.

2. SOS: Not an ABBA cover. Mark takes lead vocals. Producer Price injects a hint of his efforts on MADONNA's Confessions On A Dance Floor album.

3. WAIT: A PET SHOP BOYS feel to it. Real '80s influence.

4. KIDZ: Mark and Robbie are in the driving seat here. Has a flavour of LA ROUX and SCISSOR SISTERS.

5. PRETTY THINGS: Interesting harmonies between Robbie and Gary. Sounds like a song all about the trappings of fame.

6. HAPPY NOW: If the BEE GEES were knocking out records now, this is how they would sound.

7. UNDERGROUND MACHINE: Robbie on lead vocals. Very modern and up-to-date for Gary and the boys.

8. WHAT DO YOU WANT FROM ME?: Mark opens up about his marriage troubles. Strong stuff and a great track. Could be a KILLERS single.

9. AFFIRMATION: Jason and Howard get their chance to shine. Great guitar action.

10. EIGHT LETTERS (plus hidden track FLOWER BED): Gary's big number about saying "I love you". Take That also has eight letters though, so could be about his love for them. Chorus is a rip-off of ULTRAVOX hit Vienna. The secret track is a cracker. Jason really impresses.

Read more: http://www.thesun.co.uk/sol....cnoOGEA

And demand is so high for the record that they’ve pulled out of their album chart battle with JLS and will release a week earlier than planned.

Progress was due to hit shops on November 22, the same day as the second JLS’s Outta This World.

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Their debut beat 36-year-old Robbie Williams’s last solo release to the top spot. TT’s new single The Flood will also be released a week early, on November 7.

A source said: “There’s such high demand on pre-orders that the decision was made to release early.

“It wasn’t because they thought JLS would sell more copies.”

Westlife are now moving their new record release date to avoid clashing with Take That.

TT’s website went into meltdown ahead of tour tickets going on sale tomorrow. I predict more shows will be added to the 14 planned for the Progress Live presented by Samsung gigs.

Log on to gigsandtours.com from 9am on Friday to bag your ticket.

YOU can get your mitts on the new Take That release on November 15. Check out my thoughts, below, on the brilliant album.

The Flood: First single and utterly epic. A certain No 1. Verdict: 5/5

SOS: Mark leads the vocals with a heady disco opening beat then Robbie comes in with a shouty, pumping vocal. Banging rave-up that sounds nothing like TT have ever done before. “It’s like a bullet to the head,” declares Markie. Bang bang brilliance. Verdict: 5/5

Wait: Dubby 80s-style mid-tempo which Robbie drives. “There’s something I’d like to change,” they declare, clearly referencing their past squabbles. Verdict: 2/5

Kidz: Mark talks to a marching drumbeat about kings, queens and government. Dark Depeche Mode-feeling. Hauntingly good. Verdict: 4/5

Pretty Things: Synth slowie with Robbie on lead. “A little meditation might pull you through/Don’t sweat the pretty things,” he gently croons. Verdict: 3/5

Happy Now: Camp fun number. Gary and Rob share the vocodered moments. Verdict: 3/5

Underground Machine: “What a beast, what a man/I wish the beggers were choosers,” sings Robbie. No idea what he means but this will get your hips gyrating. Verdict: 3/5

What Do You Want From Me?: “My greatest fear is you will notice I’m not what you wanted after all these years/It’s been a difficult year/I still wanna belong to you,” a heart-broken Mark sings. Gut-wrenching brave lyrics with a boisterous beat. Verdict: 5/5

Affirmation: “Can feel the pressure on all our minds,” sings Howard, managing to sound totally modern yet steeped in 80s nostalgia at the same time. Verdict: 3/5

Eight Letters: “Look back but don’t stare,” sings Gaz. That’s the title of their upcoming film about reforming with Robbie. “This is all that matters.” A bromance tune. Verdict: 4/5

Keep spinning for a secret track with a space-age Jason lead vocal. Delicate and floaty. Verdict: 3/5
http://dailystar.co.uk/playlist/view/160261/Take-That-blasting-off/

Бесит меня читать подобные вещи, если честно! На фиг так издеваться над людьми?